Skip to main content

Cast and Crew organisation:

Cast:
In order to create a sense of realism to my documentary, and portray my audio visual in an authentic style; I have decided to go to Jimmy's Night Shelter. By not using actors I will deliver the severity of the issue I wish to explore (homelessness), and not using actors conforms to the genre conventions of documentaries. I believe the material of first-hand accounts of these people will link to the severity of the issue; and mirrors the technique often used in Channel 5's documentaries. 

I will use an interviewer to ask the questions to the people at Jimmy's; and I will create an interview plan to ensure I fulfills the 'A Key Turning Point' section of the brief. However, using editing I will focus on the individual's answers instead of the contributions from the interviewer. 

To portray significant information, and give the audience an idea of the purpose and contents of the documentary I will use statistics on screen and perhaps will have a voice over to read the information. I also may include non-diegetic sound, in the form of a voiceover, by one of the homeless people I interview at Jimmy's. I believe this will create a psychological perspective to the issue from the victims of homelessness; and this will create pathos for the people I want to interview. 

Crew:
I will need to organise both a cameraman, and someone to hold the microphone when i am conducting the interviews. However, my crew will need to be very minimal as there will be many moments whereby I am able to film or hold the microphone. Although, I believe as if having a second perspective on my work by having a crew member will be beneficial to my final product. Despite having crew members, I believe it is important for me to take the most significant role in my documentary; in terms of directing and producing my work. 

My simplistic approach to my cast and crew; echoes that of a documentary as my aim is to focus purely on informing my millennial audience of the severity of the issue, and how homeless people are people too.

Comments

Popular posts from this blog

Own ideas for my magazine :

Front Page : Medium close-up shot of a celebrity (actor) to engage the audience, and by having an influential person/celebrity on the front cover it will create an interest to my millennial audience. This celebrity will be shown to be playing a homeless man in his next movie, (which will be a realist film by Ken Loach). Use of a clear, large font with a contrasting colour from the background of the magazine will engage the audience as the image will be eye-catching.  Most of the writing will be in block capitals, to be eye-catching, and information about what is inside the magazine will not be. Use of persuasive language such as rhetorical questions will invite the audience to read the magazine. The background of the image will either cover the whole page, or the character/ celebrity I choose to use will be placed on a white background to create an eye catching image. I will use someone in their 20s, to target my audience of millennials aged 18-35years old. Yellow...

Pitch Brainstorm for both magazine and audio-visual :

Title:  (working title) Living on the Streets, Life on the Streets, More Than Homeless, Behind the label: Homelessness. Chosen Title:  More Than Homeless Title:  (for magazine) REVEAL  (working title) INSIGHT  Logline: (working logline) A gripping documentary  that uncovers the brutal reality of some  individuals living rough in one of the most famous cities in the world. This show challenges conventional attitudes towards homelessness, by exploring personal journeys of many vulnerable people living on the streets.  Genre: Docudrama (Expository Documentary), and there is a sense of genre hybridity as the character's stories I will explore have elements of romance, and action. This further engages my younger audience, as it keeps the narrative interesting and diverse. I will explore the element of drama using the diegetic sound of the residents I interview, instead of visually showing their stories. I will use a dramatic soun...

Institutions of ITV and Channel 5 :

In order to gain some understanding of the institution  behind ITV I have researched using this website:  http://www.itv.com/commissioning/factual Jo Clinton-Davis, the controller of factual entertainment and Commissioning Editors such as Priya Singh and Satmohan Panesar explain that some of the appeal of factual shows is often created by a famous name or a well-known location being explored. My intentions for my show was to obtain a sense of realism, and intend to focus on the working-class and gain individual stories that aren't well-known; therefore my intentions contrast to the requirements needed for some factual shows on ITV. The Commissions team explains that the factual shows are most suited for the 8pm and 9pm time slot, this is similar to the time slot of Channel 5. Despite this time slot allowing me to target my chosen audience, the current shows on ITV are less authentic and cover more mainstream topics that I am aiming to cover.  ...